Why standardized test scores are compatible with holistic admissions

Among the favorite arguments regularly trotted out by critics of standardized testing is the fact that scores correlate so closely with income. Sure, there might be an occasional outlier, but for the most part, the correlation holds steady. Students who come from well-off families will obtain high scores, while students who come from poor families will score far lower. So if standardized test scores are nothing more than a reflection of socioeconomic status, why bother even having the tests in the first place? Well, I can think of a couple reasons. For the purposes of this discussion, Im going to restrict myself to highly competitive/elite colleges the schools that the SAT was developed for in the first place. Lets start with the fact that in 2013, the average score for a student from a family with an income of over $200,000 a year was 1714: 565 Reading, 586 Math, and 563 Writing. Even with very good grades, a student who earns those scores is nowhere near a shoo-in for admission at even a second-tier university. (If they dont need financial aid, theyll probably have a better chance.) At the most competitive schools, they fall below the 25th percentile. Absent a very significant hook, theyre not even in the pool. By the way, Ive been trying to locate income statistics about the very highest scorers, but thus far, Ive been unable to find them. If anyone has a link, Id be really interested to see the breakdown. If the score curve continued to follow the income curve into the 700s, that might change my perspective, but I havent yet seen any evidence that the students scoring in the 750-800 range come from the very highest-earning subset of families. Second, top colleges draw the majority of their applicant pools from the upper end of the socio-economic spectrum. Fair or not, thats unlikely to change anytime soon. These schools are perfectly aware that wealthy students can pay thousands of dollars for tutoring, and they consider it a given that most of their applicants have had some sort of prep. (Although they might publicly bemoan the hysteria theyve created, the reality is that they have too much namely their U.S. News and World Report ranking riding on the average scores of their admitted students to discount their importance.) Their primary concern is whether that prep actually got the student someplace. This is where the holistic part comes in. These schools are not admitting statistics; they are admitting individual students, and its their job to worry about the outliers. As a general rule, a high score from a highly advantaged applicant is a prerequisite for serious consideration; provided its somewhere around the average for admitted students, it becomes more or less irrelevant. On the other hand, a low to middling score from a well-off applicant is a serious red flag; it suggests that even given every advantage, the student still isnt capable of performing at a top level academically. Under normal circumstances, colleges have no reason to accept someone who is genuinely likely to struggle. Thats unfair to everyone, the student included. And given that some prep schools go so far as to invent their own grading systems to obscure where their students actually stand, and prevent comparison between their students and those from other schools, test scores may provide the only clear-cut assessment of an applicants actual abilities. On the flip side, a seriously disadvantaged applicant with exceptionally high scores, or an applicant from a high school that rarely sends its graduates to top colleges or any college can make admissions officers sit up and take notice. Thats why the SAT was developed in the first place, and occasionally it does what it was designed to do. Im not trying to trivialize the serious problems with the system, most notably the tendency to judge merely middle class applicants by the same standards as the wealthy (test prep aside, merit can be awfully expensive to attain). But given the alternative between a somewhat objective standard and a completely subjective one, Id vote in favor of the former. Colleges have a right to ensure that entering students have obtained a baseline level of knowledge; the fact that the existing educational system fails to prepare students adequately across the board shouldnt detract from that fact.

The Elder Population and Depression - 930 Words

PARAMETERS There Are A Few Reasons Why The People Who Are Elderly And Cross The Age Of 60 Turn Out To Be A Patient Of Major Depression: †¢ Health Issues – If A Person He Has Been Struggling For A Long Time With Severe Or Chronic Pain Or Has Been Associated With Heath Issues For A Prolong Time Leads To The A Depressive State . †¢ Loneliness And Isolation – If A Person Lives Alone , Due To Lack Of Interaction With People At Home The Person May Become Depressive . And Also Due To The Fact That The Person Is Unable To Share Things/Thoughts/Memories . †¢ Reduced Sense Of Purpose – There A Lack Of Motivation To Live , Because The Person Has Lived His Life And Going Into An Elderly Age Makes Him Less Active From The Daily Routine He Used To Face . Now There Is A Lack Of Physical Activities Aswell As Mental Activity In Daily Routine. †¢ Fears – The Person Has The Fear Of Death Or Dying And Also Along With Other Issues Like Financial Problems / Lack Of Social Activity Problems Or Health Issues. †¢ Recent Bereavements – The Death Of Closely Related People Can Also Lead To Major Depression Like The Death Of Friends, Family Members . †¢ Loss Of Independence - Problems Getting Around Or Caring For Oneself. †¢ Genetic - Depression Could Also Be A Main Reason That I Could Be Genetic. †¢ Stress - Stress For A Prolonged Time Could Lead To Depression. SYMPTOMS It Is Mainly Due To Chemical Imbalance Of Neurotransmitters In The Brain Like Epinephrine, Nor-Epinephrine , Serotonin Which The BodyShow MoreRelatedSuicide Is Nothing At Joke About The Modern Society1382 Words   |  6 Pages Suicide is nothing to joke about. In 2015, most people wouldn t know about the common problem of the modern society. That problem being elder suicide. 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Serial Killers Nature Vs. Nurture Essay - 1993 Words

Serial Killers: Nature vs. Nurture Crime over the years has become a very popular subject. There are countless movies, shows, books and documentaries about such events. Individuals are very entertained for one reason or another by these types of shows. There have been many discussions, debates and research studies done particularly pertaining to the question â€Å"What causes someone to become a serial killer?† Psychologists, criminologists and scientists agree that the Nature nurture debate is the most essential phenomenon in psychology. Researchers have conducted a lot of research to be able to answer the question â€Å"What causes a person to commit a murder?†. The popular and logical hypothesis is that criminal behavior is more complicated than it had been thought and they say that a person’s genetic makeup creates criminal behavior (It is called nature.) 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Eddie calls the immigration officials Essay Example For Students

Eddie calls the immigration officials Essay A view from the bridge by Arthur Miller is set in the late 1940s. Eddie Carbone is working on the docks of New York as an Italian Longshoreman. When Eddies wife, Beatrices cousins Rodolpho and Marco seek refuge as illegal immigrants from Scilly Eddie agrees to shelter them. Catherine, Beatrices niece takes a shine to the younger brother Rodolpho and they end up getting engaged. Eddie becomes extremely jealous he believes Rodolpho only wants to marry his niece in order to gain an American citizenship. Catherine and the audience realise that Rodolphos love for her is true, everybody except Eddie seems to realise this, his jealousy gets so immense that he ends up tragically dead. In this essay I am going to explain the dramatic effectiveness of the scenes in which Eddie calls the immigration officials and they turn up at the Carbones home looking for Rodolpho and Marco and the scene in which Eddie is killed. The first scene starts with Eddie visiting Alfieri, the familys lawyer. Alfieri has an important role in this play, without him the play would not be as dramatic. One of the reasons for this is because every time he speaks the light, which is very bright focuses on him and him only, the lighting plays a big part in the dramatic effectiveness of the play. Alfieris attitude makes the audience sympathise more so with the characters. The audience share the same attitude as Alfieri, whilst looking back on the events of the play in which he narrates, there is a series of flashbacks shown to heighten the sense of tragedy that develops throughout the play as the Carbones story is told. Each time Alfieri narrates the play the cameras and lights focus on him only, making him look more dramatic and important. Alfieri is the one who tried to make Eddie see sense throughout the play, although it didnt seem to work. By the end of Alfieris first speech he says how lawyers are only thought of in connection with disasters this makes the audience think why would Eddies case be any different? In all of the other cases Alfieri and many other lawyers have dealt with disasters have occurred so why would Eddies case be any different? This then lets the audience know that the events to come throughout the play will be grim. Eddie and Alfieri are discussing Catherine and Rodolphos wedding, Eddie doesnt think Rodolpho is right for Catherine and will do anything to stop the wedding going ahead. Alferi tells Eddie to let her go and bless her. As he says this the phone booth on the opposite side of the stage begins to glow, this makes the audience think, why is it glowing? Whats going to happen? Something obviously involving the phone booth. Eddie then stands up with a clenched jaw and walks towards the phone booth, the lights now making the phone booth look brighter it then shows Eddie, stood next to it. The change in lighting makes the play look more exciting and dramatic Eddie then picks up the phone and abruptly shouts, give me the name of the immigration bureau once he is questioned further by the officials he begins to feel guilty and slowly hangs up the phone. The problem with Eddie is he has too much love for Catherine, we see this in the scene in which Eddie kisses Catherine and Rodolpho. All Eddie wants to do is protect his niece therefore he is forced to call the immigration officials to get rid of Rodolpho and in doing so he doesnt have to blame himself. Eddie soon then returns home, just before he goes inside the house he stands outside glancing about, more than likely thinking about whether ringing the immigration officials was a good idea. He then enters his house everyones out all except Beatrice who Eddie has an argument with again over Catherine. Beatrice wants Eddie to give his blessing to the couple but he refuses. .u0d5c5c46413bd2d42291582e4a4b51d1 , .u0d5c5c46413bd2d42291582e4a4b51d1 .postImageUrl , .u0d5c5c46413bd2d42291582e4a4b51d1 .centered-text-area { min-height: 80px; position: relative; } .u0d5c5c46413bd2d42291582e4a4b51d1 , .u0d5c5c46413bd2d42291582e4a4b51d1:hover , .u0d5c5c46413bd2d42291582e4a4b51d1:visited , .u0d5c5c46413bd2d42291582e4a4b51d1:active { border:0!important; } .u0d5c5c46413bd2d42291582e4a4b51d1 .clearfix:after { content: ""; display: table; clear: both; } .u0d5c5c46413bd2d42291582e4a4b51d1 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u0d5c5c46413bd2d42291582e4a4b51d1:active , .u0d5c5c46413bd2d42291582e4a4b51d1:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u0d5c5c46413bd2d42291582e4a4b51d1 .centered-text-area { width: 100%; position: relative ; } .u0d5c5c46413bd2d42291582e4a4b51d1 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u0d5c5c46413bd2d42291582e4a4b51d1 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u0d5c5c46413bd2d42291582e4a4b51d1 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u0d5c5c46413bd2d42291582e4a4b51d1:hover .ctaButton { background-color: #34495E!important; } .u0d5c5c46413bd2d42291582e4a4b51d1 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u0d5c5c46413bd2d42291582e4a4b51d1 .u0d5c5c46413bd2d42291582e4a4b51d1-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u0d5c5c46413bd2d42291582e4a4b51d1:after { content: ""; display: block; clear: both; } READ: Act 3 Scene 4 of Twelfth Night EssayA while later two men in overcoats appear outside the house, Eddie realises ringing the immigration officials was a bad idea, you can tell this by his facial expression and body language, he turns to Catherine and points upstairs telling her to go out the back. Catherine cant quite believe her eyes and stands there motionless. The immigration officer knocks on the door then again for a second time, Catherine is extremely upset you can tell this by the way in which she storms into the bedroom, its obvious who told the officials and shes very upset. Eddie finally answers the door, the officer hurries in where are they? The two officers search the house top to bottom Beatrice looks at Eddie seeing the fear is his face; we then see the first officer descending with Marco behind him Rodolpho and Catherine followed by the second officer, Beatrice then rushes to the door. Theres a struggle as Catherine tries to tell the officers that they are only working there what do yiz want form them? They work, thats all. Just before the officers leave with two immigrants, Marco breaks from the group and dashes into the room which Eddies in Beatrice and the first officer rush in just as they do Marco spits in Eddies face. Eddie then lunges at Marco Eddie shouts in a rage Ill kill you for that you son of a bitch. The language used makes the scene more exciting, Marco is taken away by the officer as Eddie follows Marco shouts he killed my children! He stole food from my children! The crowds of people in the street turn to look at Eddie with disgust Eddies shouts hes crazy! I gave him the blankets of my bed But they dont believe him. This makes Eddie furious and he exits up the street calling hes gonna take that back or Ill kill him you hear me? Ill kill him. The audience realises Eddies not joking by the expression his face and this makes them think that someone may be murdered, but will it be Marco? The lights then go off, theres a pause of darkness then the lights rise on the reception room of a prison, Alfieri is discussing the situation with Rodolpho, Catherine and Marco. Alfieri says he can bail them out until the hearing making Marco promise to behave and not to kill Eddie. He hesitates at first but soon realises if he doesnt hell be stuck in a prison cell Marco then turns and walks out Alfieri leaves the stage and the lights dim out. Marco then goes round to the carbones house shouting near the door outside Eddie Carbone! This is when the real tragedy begins as the audience can tell by the facial expressions of the characters and their attitude towards each other. Eddie then goes u0p the stairs and emerges form the apartment, Beatrices is shouting at Eddie telling him to come back inside whilst Rodolpho is telling Marco to leave it. Eddies eyes are murderous and he cracks his knuckles in his hand with a strange kind of relaxation whilst shouting at Marco come to apologise to me hey, Marco? Eddie begins to move towards Marco Eddie spreads his arms as does Marco come on Marco you know what you done! Eddie lunges at Marco as the crowds cheer them on Marco calls Eddie an animal and tells him to get on his knees. Eddie goes down with a blow just as Marco raises his foot to him Eddie pulls out a knife as Marco steps back Louis rushes in Eddie for Christs sake! Eddie holds up the knife and Louis takes a step back. Eddie wants Marco to admit he lied to everyone but he wont Marco shouts anima-a-a-l! .u0c27220ed46c4f250285fb7e59a189ed , .u0c27220ed46c4f250285fb7e59a189ed .postImageUrl , .u0c27220ed46c4f250285fb7e59a189ed .centered-text-area { min-height: 80px; position: relative; } .u0c27220ed46c4f250285fb7e59a189ed , .u0c27220ed46c4f250285fb7e59a189ed:hover , .u0c27220ed46c4f250285fb7e59a189ed:visited , .u0c27220ed46c4f250285fb7e59a189ed:active { border:0!important; } .u0c27220ed46c4f250285fb7e59a189ed .clearfix:after { content: ""; display: table; clear: both; } .u0c27220ed46c4f250285fb7e59a189ed { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u0c27220ed46c4f250285fb7e59a189ed:active , .u0c27220ed46c4f250285fb7e59a189ed:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u0c27220ed46c4f250285fb7e59a189ed .centered-text-area { width: 100%; position: relative ; } .u0c27220ed46c4f250285fb7e59a189ed .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u0c27220ed46c4f250285fb7e59a189ed .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u0c27220ed46c4f250285fb7e59a189ed .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u0c27220ed46c4f250285fb7e59a189ed:hover .ctaButton { background-color: #34495E!important; } .u0c27220ed46c4f250285fb7e59a189ed .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u0c27220ed46c4f250285fb7e59a189ed .u0c27220ed46c4f250285fb7e59a189ed-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u0c27220ed46c4f250285fb7e59a189ed:after { content: ""; display: block; clear: both; } READ: The Principal Characters in the Merchant of Venice are Motivated Mainly by Money Essay This part of the play is very dramatic as the crowd watches Eddie and Marco fighting intrigued and scared at the same time. They dont know whats going to happen, the Facial expressions used by Arthur Miller in this play are very specific and play an important part in the play. Eddie, with knife in hand lunges at Marco. Marco grabs Eddies arm turning the knife in towards Eddies body and pushes it in, the audience realises this but Eddies family dont a sense of dramatic irony. Eddie still holding the knife then falls to his knees. Catherine feeling extremely guilty tells Eddie how she never meant to hurt him, Eddie then whispers to Beatrice in pain then why- oh, B! Eddie dies very dramatically in Beatrices arms; she covers Eddie with her body. Eddie brought his death on himself if he hadnt have been so jealous of Rodolpho then he wouldnt have called the immigration officers and they wouldnt have took Marco and Rodolpho to prison and maybe then Marco and Eddie wouldnt have had such a bad argument leading to Eddies death. Alfieri, who is in the crowd turns to the audience, the light goes down leaving him in the slightly in the glow, he says one last speech as the curtains draw. Arthur Miller is very specific about the set of the play; its very small making it easier for the audience. There is only a small area to concentrate on and the audience can see everything happening. There is a limited number of characters in the play again making the play easier to watch for the audience, there isnt too many different things going on with too many different characters. The lights again makes a big difference to the play when it focuses on one person only it makes what the person says more dramatic and they look more important. This happens to Alfieri a lot during the play this is why I think he has an n important part in making the play dramatic. Another thing important in this play is the facial expressions of the main characters; Arthur Miller is very specific about them and uses them well contributing well to the dramatic effectiveness of the play.